{"id":68,"date":"2015-03-23T14:59:18","date_gmt":"2015-03-23T14:59:18","guid":{"rendered":"http:\/\/art-history-concepts.webspace.wheatoncollege.edu\/?page_id=68"},"modified":"2015-05-19T17:10:07","modified_gmt":"2015-05-19T17:10:07","slug":"master-bibliography","status":"publish","type":"page","link":"http:\/\/art-history-concepts.webspace.wheatoncollege.edu\/?page_id=68","title":{"rendered":"Works Cited"},"content":{"rendered":"

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Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H. D. Buchloh, and David Joselit. <\/span>Art\u00a0<\/span>Since 1900: Modernism, Antimodernism, Postmodernism.<\/span><\/em>\u00a02nd Ed. New York: Thames and Hudson, 2011.<\/span><\/p>\n

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Gambino, Megan. \u201cAsk an Expert: What Is the Difference Between Modern and Postmodern Art?\u201d <\/span>Smithsonian<\/span><\/em>, Last modified September 22, 2011. http:\/\/www.smithsonianmag.com\/arts-culture\/ask-an-expert-what-is-the-difference-between-modern-and-postmodern-art-87883230\/<\/a>.<\/span><\/p>\n

Gao, Minglu. “Kitsch and Complicity: The Case of Political Pop and Cynical Realism.” In\u00a0<\/span>Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art<\/span><\/em>, 255-<\/span>268. Cambridge, MA: MIT Press, 2011.<\/p>\n

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Greenberg, Clement. 1986-93. “Avant Garde and Kitsch” (1939); “Modernist Painting” (1960); “Complaints of an Art Critic” (1967). In Greenberg, <\/em><\/span>The Collected Essays and Criticisms<\/span><\/em>,\u00a0<\/span>edited by John O\u2019Brian. 4 vols. Chicago: University of Chicago Press, 1995.<\/p>\n

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Leslie, Thomas. \u201cDankmar Adler\u2019s Response to Louis Sullivan\u2019s \u2018\u201cThe Tall Office Building Artistically Considered\u201d\u2019: Architecture and the \u2018\u201cFour Causes.\u201d\u2019\u201d <\/span>Journal of Architectural Education<\/span><\/em>\u00a0<\/em>64:1 (September 2010): 83\u201393.<\/span><\/p>\n

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